Play Along Piano

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Handel

Overture to Handel's Messiah for Recorders

Michel Marinier

3:54	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
Bass/Alto	24	0	8	7	93%
Tenor 2	19	0	7	8	92%

Handel - Trio Sonata VIII (Transcribed for Piano)

Fake Your Death

8:54	Est. Play Time
279	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

Händel - Lascia Ch'io Pianga, for Flute and Cello

Hyeon Kim

3:36	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	17	3	6	100%
	16	6	2	5	99%
Cello	20	0	2	8	89%
Flute	15	0	3	11	89%

Sonata 3 (HWV 361)

Norman Schmidt

6:57	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

HWV8A1N4 - "Son di Mirtillo!" recitativo secco

edward.maurath

1:47	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	12	0	4	4	100%
Amarilli	14	0	4	5	68%
Mirtillo	10	0	3	3	50%
Hpsi	14	17	4	2	46%
	9	5	2	4	46%
Harp	14	12	4	1	43%
	12	10	3	2	43%
Theorbo	12	6	5	2	21%
Lute	13	10	4	3	18%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
Violas	21	0	10	7	76%
Violins 2	27	0	11	8	75%
Horn in F	22	0	7	8	47%
1.2. Clarinet in B	29	2	10	6	47%
Flute	24	0	10	8	42%
Trumpet in B	24	0	7	8	38%
Oboe	32	0	13	7	36%
Solo Viola	35	14	16	10	27%
Solo cello	32	7	17	10	24%
Timpani	11	0	4	6	12%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

I nostri cori dobbiamo offrir, from Terpsichore, prologue to "Il Pastor Fido", HWV 8

edward.maurath

3:47	Est. Play Time
35	Measures
	1,413Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	18	21	4	7	100%
	16	6	1	6	100%
Bassoon (Continuo)	15	0	1	6	100%
Contrabassi (Continuo)	15	0	1	6	100%
Violas	16	0	4	6	100%
Violins 1	22	0	4	7	100%
Violins 2	18	0	5	7	100%
Violoncelli (Continuo)	15	0	1	6	100%
Oboe	17	0	4	5	97%
Horn	12	0	1	5	79%
Alto	7	0	2	5	74%
Bass	12	0	1	5	74%
Soprano	10	0	1	6	74%
Tenor	8	0	1	5	74%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major

edward.maurath

6:16	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Celli	21	0	5	6	100%
Kontrbaß	21	0	5	6	100%
Cleopatra	15	0	2	8	88%
Vln 1	20	0	4	5	80%
Harpsichord	18	9	3	6	78%
	18	6	3	6	78%
Continuo	17	0	3	6	78%
Vln 2	20	0	4	5	64%
Flute	11	0	1	4	51%

HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major

edward.maurath

9:34	Est. Play Time
342	Measures
	5,290Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	22	1	5	8	95%
Violoncellos	22	1	5	6	95%
Violone	22	1	5	6	95%
Harpsi	20	83	5	6	90%
	27	52	7	6	76%
Basso	16	3	4	7	72%
Trumpet In C	14	12	2	9	70%
Violin 1	16	65	2	9	59%
Viola	14	0	1	8	51%
Violin 2	14	0	1	7	11%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major

edward.maurath

4:44	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	4	5	7	78%
	23	12	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	4	5	7	78%
	23	12	6	6	99%
Harpsichord	17	4	5	7	65%
	23	11	6	6	99%
Continuo	21	0	5	7	99%
Vln 1	16	0	4	7	79%
Vln 2	17	0	5	7	79%
Celli	19	0	3	6	62%
Contrabasses	22	0	3	6	62%
Cornelia	12	0	3	7	62%
Flute	13	0	4	7	59%
Violas	16	0	4	7	56%

Cesare, "Non e si vago e bello" from HWV 17, (1724)

edward.maurath

4:10	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	8	6	4	100%
	21	16	6	4	100%
Harpsichord	20	8	6	4	100%
	22	17	6	4	100%
Celli	21	0	5	4	100%
Continuo	21	0	5	5	100%
Kontrebaß	21	0	5	4	100%
Violini	14	4	1	5	90%
Cesare	14	0	3	5	79%
Violas	11	0	0	4	16%